![]() (On these two subjects see also Extant Altos and Alto in 19th Century Trade Catalogs). Another noteworthy matter concerns the ubiquity of the alto trombone the number and variety of authors who have included alto trombone in their discussions of the trombone is striking. This fact becomes clear from both the written materials and the many diagrams pictured with them (see below). Throughout trombone history, the vast majority of written sources have considered the alto trombone an instrument in the E-flat orbit (D, E-flat, F). 1811)-B-flat/E-flat (contradictory)Įncyclopaedia Britannica (1888)-E-flat, FĬonclusions: Obviously, one of the things that becomes most readily apparent upon examining these sources is the key of the alto trombone. 3) Finally, it goes without saying that not all sources contain accurate information, which is one reason that looking at broad overall patterns (rather than falling in love with one or two favorite sources) can be useful. All of the below references are listed in the Alto Trombone Bibliography, most of them in the “Primary Sources” section.įröhlich (c. While the fact that a particular source is derivative rather than strictly original may mitigate its historical worth to a certain extent, it can also illustrate influence. For example, much of the information in late 19th and early 20th century orchestration treatises derives from Berlioz’s treatise. For example, Hector Berlioz’s treatise carries significantly more weight than that of William James Henderson. Three things should be stipulated: 1) Not all sources are of equal importance. These sources offer much useful historical information about key, use of the instrument, clef, etc. Introduction: Below is a chronological listing of what many written sources have recorded about the alto trombone throughout history, beginning in the 17th century and continuing through the first quarter of the 20th century. We hope you’re feeling more confident about alto and tenor clefs in music! Grab yourself some brand new sheet music from and see if you can spot them.ALTO TROMBONE in TREATISES, DICTIONARIES, and METHODS When the tenor clef is indicated, the lines and spaces represent the following notes: FREE PDF PrintablesĬlick here to download the PDF of alto and tenor clefs pictured below.Ĭlick here to download the PDF for all musical clefs pictured below. The tenor clef is represented by the following symbol: These instruments use bass clef for their low to mid ranges and treble clef for their upper extremes. Another less common clef, it is used for the upper ranges of the bassoon, cello, euphonium, double bass, and trombone. The tenor clef is another type of “ C clef,” however it’s center is on the fourth line from the bottom, so middle C is moved up a third from where it was on the alto clef. When the alto clef is indicated, the lines and spaces represent the following notes: Tenor Clef The alto clef is represented by the following symbol: Many do not learn this clef, as it is primarily only used for the viola, the viola da gamba, the alto trombone, and the mandola. The alto clef’s center is placed on directly in the middle of the staff, designating the third line from the bottom to middle C. The alto clef is one of many “ C clefs” and is named as such because it’s center indicates middle C. Let’s review what we’ve just talked about. Stick around after the video for a review and some free printables! Before you watch, if you need a refresher on what “clefs” are in music, click here for our complete guide to all musical clefs. We covered these clefs in a short video below. Though less commonly used, you might see them pop up from time to time in your sheet music. In this post, we’re going to talk about alto and tenor clefs. These are the two most common clefs, but they’re not the only clefs. Most musicians start off learning treble clef, closely followed by bass clef.
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